Print the Legend! HNS 2026

Alison Morton speaking at HNS 2026

(Photo courtesy of Sophie Perinot)

The (in)famous green jacket and I went to the very green island of Ireland for this year’s Historical Novel Society conference.

West of Dublin, Maynooth University is a constituent university of the National University of Ireland and combines historical roots with modern technology.

I was delighted to contribute a talk on alternative history on the Saturday – more below!

Never having visited it, I enthusiastically went on the Friday excursion to the Newgrange complex of ancient monuments (UNESCO World Heritage Site).

Set on a rise in a curve of the river Boyne, it dates from 3,100 BC making it older than Stonehenge or the pyramids in Egypt.

First off though was nearby Knowth, the site of numerous passage tombs, but containing the largest passage tomb ever built. Next on to Newgrange itself which is massive!

We were allowed inside for a few minutes and stood under 5,000 tons of Neolithic stone. Then the guide switched the lights out. Spooky, but in a positive way. A simulation of the midwinter sun piercing the chamber gave us an eerie connection back to people thousands of years ago.

Newgrange, Ireland

A supper in the Pugin Hall (reminded me of Hogwarts) restored our strength ready for the conference proper on Saturday. Full Saturday programme here, but some sessions need a special mention. After the organising team was introduced – an excellent touch! – Professor Terence Dooley gave us an informative and lively guide to tracing the eventful and tragic life of Hermione, 5th Duchess of Leinster (1864-95) by means of  estate papers.

We all took notes during BooksGoSocial‘s marketing expert Laurence O’Bryan’s presentation. I always learn something new from Laurence!

My own presentation ‘Alternative history – the stuff of legend or made-up twaddle?was the first after a delicious sandwich lunch. (The food was outstanding during the conference: salad boxes and wraps, and pastries with tea and coffee in the breaks.) I was amazed and rather pleased that so many people came. They just kept filing in! And they looked interested, even when i kept referring to the Romans!

After explaining how althist worked and highlighting things to consider when writing stories in this framework, I gave some examples. People were surprised at the range of writers who had tackled them from Livy to Kingsley Amis, Kazuo Ishiguro, C J Sansom to Robert Harris. Great questions afterwards and I think that we may have some new althist readers…

The Gala Dinner on Saturday was lively, friendly and noisy! When you have hundreds of people in one room all eagerly talking, you’re bound to not hear everything above the hubbub.

HNS 2026 Gala dinner friends

Left to right: Laura Morelli, Jessica Bell, me, Jean Gill, Clare Flynn, Amie McCracken (Photo courtesy of Jessica Bell)

But we all quietened down for Justin Hill and Matthew Harffy’s dynamic duo after dinner speech. I stayed for a few minutes of joyful Irish music which followed, but I was quite tired by this stage, so called it a night.

Three highlights from Sunday

  • Vaseem Khan’s Who Owns the Legend, an insightful talk delivered with sharp insights, balance and occasional wry humour
  • Jean Gill, Justin Hill and Matthew Harffy’s panel on Beyond Kings and Queens: Giving Voice to the Hidden Folk, mostly in the Viking and Medieval periods
  • Essie Fox and Karen Sullivan (publisher) on Gothic Legends for Today’s Readers
Viking–medieval panel HNS 2026

Left to right: Tracey Warr (chair), Justin Hill, Jean Gill, Matthew Harffy

Full Sunday programme here

But I particularly enjoyed Confronting the Legend with Christopher Cevasco (participating chair), Sophie Perinot and Michelle Moran. How do writers manage reader expectations for a book that seeks to be faithful to ‘history’ when that history is merely a familiar legend or a beloved pop-cultural depictions of characters? Then I asked about Robin Hood… 😉

Alison Morton with Christopher Cevasco HNS 2026

Alison Morton with Christopher Cevasco HNS 2026 (I have no idea why the blue elephant is in the foyer but it adds to the photo.)

What did I take away from the conference?

A lot of very positive memories. The silken cord running through was warmth and friendship. I reconnected with many historical fiction friends from both sides of the Atlantic and made new ones from even further afield. Much socialising occurred at Brady’s Pub a couple of streets away in Maynooth as well as at the hotel itself.

Even though I’ve been going to HNS conferences since 2012, including one in the USA in 2015, I always learn something from the other speakers.

You share experiences, meet fellow sufferers, celebrate with colleagues, discuss writing and publishing with people whose eyes don’t glaze over when you mention the ‘W’ word. And in our solitary creative life, that’s immensely valuable.

Coffee Pot Book Club members at HNS 2026

Left to right: Navy Jardine, Anna Belfrage, Carolyn Hughes, Linnea Tanna, Cathie Dunn, me. (Photo courtesy of Cathie Dunn)

 

Alison Morton is the author of Roma Nova thrillers –  INCEPTIO, CARINA (novella), PERFIDITAS, SUCCESSIO,  AURELIA, NEXUS (novella), INSURRECTIO  and RETALIO,  and ROMA NOVA EXTRA, a collection of short stories. JULIA PRIMA and EXSILIUM,  set in the late 4th century, tell the story of Roma Nova’s foundation.  Audiobooks are available for four of the series. Double Identity, Double Pursuit and Double Stakes form a new contemporary thriller series. A new collection of Roma Nova short stories, HEROICA, is now out. 

Download ‘Welcome to Alison Morton’s Thriller Worlds’, a FREE eBook, as a thank you gift when you sign up to Alison’s monthly email update. As a result, you’ll be among the first to know about news and book progress before everybody else, and take part in giveaways.

How did Romans cope with eclipses?

Map of eclipses AD 381-400

Yesterday, the world jostled, thrilled and was overcome with excitement by the total eclipse of the sun by the moon. We’ve had scientific explanations, videos of eclipse-chasers setting out, scenes from Burgos in Spain where rooms and hotels had been booked for months, even years to see the 100% eclipse. News headlines and social media are filled today with stunning photos.

But how did ancient peoples see it?

I wanted to include a scene with an eclipse in my novel EXSILIUM to invoke a sense of dark things to come, but I doubted one was happening at the time. A storm would have to do. But I was thrilled when I discovered from research that an eclipse actually occurred at the time I needed! And the information came from NASA in the form of a map. I could hardly believe it! Rome wasn’t 100% in its path as Burgos in Spain was yesterday, but the effect would be enough.

So here’s what Lucius Apulius experienced…

Rome, AD 393

In late November, I was trudging down the hill mid morning towards the Senate House when the freezing wind that had forced me to pull my hood up and gather my cloak closer around me suddenly ceased. Although the sun was shining with that bright winter light when I set out, the sky seemed to grow darker. I cursed, thinking a storm was about to roll in, hopefully not hail or sleet. But there was no cloud in the sky, yet it became steadily darker.

Chatter and shouting around me quietened and people stopped in the street to stare upwards. Even mules stopped braying and chickens squawking. Instead of people leaning out of windows and making rude remarks about people passing below, old men and young women were equally hushed. Some gave the Christos sign across their chests, others brought hands to their mouths and staggered against walls as if for protection. Women started to cry; children huddled into their mothers’ skirts. Even a schoolmaster instructing children in a group on the steps of an abandoned temple near me fell silent.

We all watched, transfixed by the bright sun vanishing behind a black disc. I shivered as an ethereal twilight took hold. I knew in my mind it was an eclipse and astronomers could even predict their timings, but I was overwhelmed by the thought it could presage a portentous event as it had for the Divine Julius and Augustus’s deaths. Was Theodosius or Eugenius about to die? Or did it foreshadow ten years of war, or that the barbarians were about to pour over the Danube in overwhelming numbers?

I knew in my mind it would pass – at least, that was what I remembered from my tutor in mathematics many years ago. But he had never seen such a phenomenon and only remembered it as a story from his grandfather. My heart was thudding. I was finding it viscerally disturbing as if Helios himself was dying or losing a war with Luna. How long I stood there, I don’t know. Aside from those whimpering and softly wailing, and those sending prayers and supplications to their gods, every other human being seemed crushed into silence by this force of nature.

The black disc slid inexorably across the sun to leave only an intensely bright ring around it – the only light in the dark day. Gasps and cries now rippled through the crowd, many now on their knees or crouched on the ground as if in their mother’s womb. I could scarcely breathe as I laboured to convince myself that this was not the end of days.

Then slowly, painfully, the black disc moved and sunlight was released. A collective sigh rose from the crowd. Tears rolled down faces, fear turned into relief. Some bent down and helped others to stand. People broke into excited talking and Rome became once more a city of noise. I leant back against a wall and let out a long breath as the sun’s warmth touched my face. The sun, the life-giver, had returned, but I couldn’t rid myself of the feeling in my bones that this eclipse had been a messenger of doom or at the very least of extreme danger.

But for whom?

 

EXSILIUM, Chapter XV

 

Alison Morton is the author of Roma Nova thrillers –  INCEPTIO, CARINA (novella), PERFIDITAS, SUCCESSIO,  AURELIA, NEXUS (novella), INSURRECTIO  and RETALIO,  and ROMA NOVA EXTRA, a collection of short stories. JULIA PRIMA and EXSILIUM,  set in the late 4th century, tell the story of Roma Nova’s foundation.  Audiobooks are available for four of the series. Double Identity, Double Pursuit and Double Stakes form a new contemporary thriller series. A new collection of Roma Nova short stories, HEROICA, is now out. 

Download ‘Welcome to Alison Morton’s Thriller Worlds’, a FREE eBook, as a thank you gift when you sign up to Alison’s monthly email update. As a result, you’ll be among the first to know about news and book progress before everybody else, and take part in giveaways.

Public bathing – My visit to the past

Painting of Baths of Caracalla by Laurence Alma Tadema

Painting of Baths of Caracalla by Laurence Alma Tadema

Baths were such an intrinsic part of the Roman world that we can’t think of one without the other. Everybody went to the baths – everybody. Read how here.

Well, none of us like to smell. A recent trip to the former bathhouse in my nearby town of Thouars in the Deux-Sèvres set me thinking…

Christians and Roman bathing

Despite the denunciation of the mixed bathing style of Roman pools by early Christian clergy, as well as the pagan custom of women bathing naked in front of men, this did not stop the Church from urging its followers to go to public baths for bathing for  hygiene and good health (according to the Church Father, Clement of Alexandria).

In fact, the Church built public bathing facilities separate for both sexes near monasteries and pilgrimage sites and popes situated baths within church basilicas and monasteries from the early Middle Ages.

Great bathhouses were built in Byzantine centres such as Constantinople and Antioch. The popes maintained their baths in their residences. Bath houses including hot baths were  incorporated into Christian church buildings or those of monasteries, which known as “charity baths” because they served both the clerics and needy poor people.

Medieval bathing

Public bathing were common in mediaeval Christendom larger towns and cities such as Paris, Regensburg and Naples. Later, Protestantism also played a prominent role in the development of  British spas.

Returning crusaders in the 11th and 12th centuries who had enjoyed warm baths in the Middle East, introduced Roman style public baths on a limited scale. These, however, rapidly degenerated into brothels – at least that was their reputation _ and were often closed down. In England during the reign of Henry II, bath houses, called bagnios from the Italian word for bath, were set up in Southwark on the River Thames. They were all officially closed down by Henry VIII in 1546 due to their negative reputation.

Modern public bathing

The first modern public baths were opened in Liverpool in 1829. The first known warm fresh-water public wash house was opened in May 1842. As a small child in the late 1950s, I remember a small suite of ‘slipper baths’ in my local swimming pool built around 1906. I was intensely curious about them as I thought everybody had a bath at home.

Today, we see bathing as something we do privately in the home, but bathing in public has been a communal, social activity for a long time.They have included hot-air bathing facilities such as hammams, Victorian Turkish baths, and saunas.

As the percentage of dwellings containing private bathrooms increased in many societies, the need for public baths  diminished. This was the story of the Bains-Douches in my local town of Thouars. Intended to serve the hygiene needs of the town’s poorer population, the bathhouse  was also designed to include a public laundry area. No more washing clothes in the river, they thought.

 

Composite images Bains-Douches building

A little bit of history

Although first proposed before the First World War, the construction of a public bathhouse in the up and coming railway town of Thouars was not finally approved until 1923 – a time when the working-class population was growing and few homes had bathrooms. The project faced delays caused by State Railway employees who deemed the venture unprofitable due to a poor choice of location near the historic centre – the railway station and the railway employees’ housing was a good kilometre to the north. Moreover, despite subsidies promised by the Ministry of the Interior, they considered the cost excessive. This opposition prompted the town to modify the original plans.

Ultimately built between 1927 and 1929 by Parisian architect Louis Lablaude, the structure stands on the site of a former medieval tower. The medieval town of Thouars had formidable ramparts with forty towers, so the sacrifice of one to meet modern needs was not considered too much of a sacrifice. However, the roof design caused recurring waterproofing issues and was not finally resolved until the late 1940s.

During the Second World War, German troops took it over. The general public could still access it on Sundays until coal supplies ran out, which they often did. After the Liberation in 1944, people used the Bains-Douches again. It symbolised many things – regaining their town, cleanliness and community cohesion.

However, interest in the public bathhouse waned during the 1960s and 1970s as more households acquired their own bathrooms. In 1974, the town of Thouars decided to limit the bathhouse’s opening hours to just one day a week: Saturday. Given the strong initiative in the late 1950s and 1960s to connect every house in France to running water supply, I’m surprised to hear it was still operating, even on a restricted basis!

In October 1993, the town council voted to permanently close the building, a decision that took effect in 1994.

Architecture and layout

The outstanding feature of the building is the Art Deco style design. The roof consists of several reinforced concrete terraces. The bath and shower area, located on the first floor, was originally laid out – though modified due to budget constraints – to include 17 shower cubicles, 4 bathtubs, and an on-site apartment for the caretaker. A wooden partition down the middle of the main hall ensured separation of the sexes!

A public laundry facility was also available for residents.

Composite images Bains-Douches features

After the closure

The building currently houses Les Restos du Cœur, which has remained on the ground floor despite the facility’s closure. The charity was founded by comedian Coluche (1944–1986) and its main activity is to distribute food packages and hot meals to those in need. The association targets the homeless and those with of low income (single families, elderly people with a low pension, young adults, etc.) and also helps people to find housing as well as supporting other projects.

The building has retained its bathtubs, shower cubicles, door-mounted sand timers, and blue-and-white tiles. It’s one of the last bath-and-shower facilities in the Grand Ouest region of France to be preserved in its original state.

In 2015, the Bains-Douches of Thouars was awarded the Patrimoine du xxe siècle label , followed by the Architecture contemporaine remarquable label. It has been listed as a historical monument since November 7, 2022.

My visit

I loved the architecture! Everything is rounded and geared to style as well as creating a human-friendly environment. Original features like the polished wood banister rail and the pretty tiled floor were evidence of this. The shower feed pipes were quite thin, so nothing like the rainfall shower heads of today’s power showers! Decorative tiles depicting landscape scenes both inside and outside the cabins added a luxurious touch. But there were definite but practical rules embedded in the cabins on wall tiles too. I smiled at them – all very sensible – especially the rule that you could be accompanied by one of your servants if you had difficulty getting dressing and undressed. A sign that the baths were used by all classes.

 

Alison Morton is the author of Roma Nova thrillers –  INCEPTIO, CARINA (novella), PERFIDITAS, SUCCESSIO,  AURELIA, NEXUS (novella), INSURRECTIO  and RETALIO,  and ROMA NOVA EXTRA, a collection of short stories. JULIA PRIMA and EXSILIUM,  set in the late 4th century, tell the story of Roma Nova’s foundation.  Audiobooks are available for four of the series. Double Identity, Double Pursuit and Double Stakes form a new contemporary thriller series. A new collection of Roma Nova short stories, HEROICA, is now out. 

Download ‘Welcome to Alison Morton’s Thriller Worlds’, a FREE eBook, as a thank you gift when you sign up to Alison’s monthly email update. As a result, you’ll be among the first to know about news and book progress before everybody else, and take part in giveaways.